The Tree in the Garden with Silver Wings
The tree in the Garden with silver wings. The air around it is oppressive and inspires violence in those who even breathe a little in. Shards of the disastrous bark peel from it and litter the ground, and nothing grows in its shadow. It scintillates faintly at dusk. It has achieved its entelechy with every body falling, every civilization laid to waste, every leaf forged into instruments of ruin.
The Gardener is hard to bother; she is constantly amidst her weeds, kneeling in the tangent dust, gloves covered in a mix of distant soils and metallic saps. She is listening to the music of the insects amidst the flowers, the unguent as it begins to drip from the ferns, the slight scratch of the Worm beneath, and not to you, and certainly not to your cries for help.
Mk. 44 Stand-Asides
Iâm going to put forth an interpretation for the above lore entry. So here goesâŠ
The tree in the Garden with silver wings.
Mk. 44 Stand-Asides
We know from the reveal stream that the simulation towers that we see in the Infinite Forest are what the Vex consider a tree. New Stories to Tell Archive 37:00 mark So within this garden lies a tree/simulation/timeline.
Now, moving on to the Garden. What is a garden? A conventional definition states that a garden is:
A piece of ground, often near a house, used for growing flowers, fruit, or vegetables.
Lord Saladin once described the universe itself as a cosmic garden
Every world begins as a big pebble lost among trillions of pebbles. Every worthy sun was once cold hydrogen spread thin across the vacuum. Even the universe, this cosmic garden that surrounds us and awes usâŠ
Ghost Fragment: Abilities
Osiris once described the fruit growing in the Infinite Forest.
I see infinity.
An infinity of possible worlds, so perfectly simulated as to be indistinguishable from the experiences I once called âreality.â I can touch them, taste them, pass lifetimes in them! They grow within this machine like fruit upon a treeâno, a forest of trees, its fractal expansion nigh unmeasurable.
Kairos Function
We all know that a garden of trees is referred to an an orchard, and in fact derives from the same latin word hortus. Though the Infinite Orchard doesnât sound very menacing.
So we see that a garden can mean many things. What we can determine from the original line is that the Garden here is a proper noun. And so whatever it refers to is a specific place, a specific garden. For the purposes of this discussion Iâm going to propose that it means the Infinite OrchardâŠsorry, Forest.
But I can see the case for the Black Garden and may try to address that alternate theory in another post. Some might immediately jump to the conclusion that it is referring to the Black Garden that we know. But I would point out:
Letâs go back and read the first sentence again.
The tree in the Garden with silver wings.
This particular tree has silver wings. Panoptes, Infinite Mind is endowed with silver wings.
An aside: It is interesting to note that both Oryx and Panoptes, essentially gods in their spheres each have wings. On angels, wings are often seen to symbolize the protection of God and his care, as well as the ability to travel from one plane of existence to another. In Destiny these both seem appropriate as Panoptes protects, cares and traverses the Forestâs realities, and Oryx âprotects and caresâ for species by perfecting their will and traverses the ascendant Realm.
We have the mention of a tree, a Garden, and silver wingsâŠi.e a timeline, a specific place, and Panoptes. The Infinite Forest, as I see it, is this specific location. My interpretation of the above line is âThe timeline in the Infinite Forest with Panoptes.
The air around it is oppressive and inspires violence in those who even breathe a little in.
The tree/simulation/timeline with silver wings is the one wherein Panoptes achieves the Vexâs convergence. When looking at it from the Infinite Forest from within the game, we do truly see that the air around it is chaotic and a sense of violence surrounds the trunk. New Stories to Tell Archive 37:00 mark
Shards of the disastrous bark peel from it and litter the ground, and nothing grows in its shadow.
Sometimes âAs a tree grows, the layer of bark thickens and the old, dead bark falls offâ This tree/simulation/timeline is growing and itâs shadow is darkness. Pujari once said:
The Garden grows in both directions. It grows into tomorrow and yesterday.
Legend: The Black Garden
I believe this tree also grows in both directions, like all things with the Vex. It grows into the past and the future, and it starts to cover the rest of the timelines in its shadow. Eventually it will grow large enough that itâs shadow will cover all, and no other timelines will be possible.
It scintillates faintly at dusk. It has achieved its entelechy with every body falling, every civilization laid to waste, every leaf forged into instruments of ruin.
Entelechy means âthe realization of potentialâ. With every body and civilization crushed by the bark and every new leaf and branch formed, this tree realizes itâs purpose.
The Gardener is hard to bother; she is constantly amidst her weeds, kneeling in the tangent dust, gloves covered in a mix of distant soils and metallic saps. She is listening to the music of the insects amidst the flowers, the unguent as it begins to drip from the ferns, the slight scratch of the Worm beneath, and not to you, and certainly not to your cries for help.
Who is the Gardener? On the surface, Panoptes seems a viable candidate. But you say, we just said Panoptes was in the tree/simulation/timeline. And that is true. But his presence in the first sentence was merely to establish which tree we were talking about. The subject of the first paragraph was the tree.
The subject of the second paragraph is the Gardener. The careful cultivator of the dark future. You might say that Panoptes in Greek mythology was a male, this refers to a female. Thatâs true. But we are also talking about a Vex mind here, Vex donât have genders and not everything maps 1:1 from the source material.
The Vex have no hope. No imagination, no drive, no fear. All they have is the pattern. Everything must fit. If it can be made to fit, good. If it canât, it gets cut away.
Paradox Daily
The descriptions of a gardener weeding out unproductive elements seem to fit nicely with Panoptes, who traverses the simulations deleting those things seen as unhelpful.
And what does the rest refer to?
She is listening to the music of the insects amidst the flowers, the unguent as it begins to drip from the ferns, the slight scratch of the Worm beneath, and not to you, and certainly not to your cries for help.
They are all representations of the elements and parameters that Panoptes has to work with. The civilizations, people, and things affecting the desired outcome.
Aside: Itâs interesting that the reference is to insects, unguent (a greasy lubrication), and the Worm. Fallen, Cabal, and Hive.
But the gardener is not listening to humanity, and certainly not our cries for help.
The Vex wonât spare the City. They wonât even thank you.
Paradox Daily
And so there you have it. My interpretation of what the Mk. 44 Stand-Asides are talking about. Let me know what you think in the comments!